Updated: 05/18/2020
22 April 1966
Brandeis University: Rose Art Museum
Waltham, MA
Ashley: Details for Two Pianists (1962)
Ashley: The Wolfman (1964)
Behrman: Players with Circuits (1965) and Wave Train (1966)
Lucier: Music For Solo Performer (1965)
Mumma: Horn (1965)
7 November 1966
Library of the Performing Arts
New York, NY
Lucier: Music for Solo Performer
18 December 1966
State University of New York, Buffalo: Baird Hall
Buffalo, NY
21 February 1967
“Winterfest”: New England Life Hall
Boston, MA
Ashley: Four Ways
Behrman: Runthrough (1967) (First performance)
Lucier: Whistlers (1967) (First performance)
Mumma: Mesa (1966)
2 March 1967
Massachusetts Institute of Technology
Kresge Auditorum
Cambridge, MA
4 April 1967
2nd Hellenic Week of New Music
Hilton Hotel
Athens, Greece
Ashley: Frogs (1966)
Behrman: Runthrough (1967)
Lucier: Music for Solo Performer (1965)
Mumma: Mesa (1966)
7 April 1967
Avanguardia Musicale 2
Accademia Filarmonica Romana
Sala Cassella
Rome, Italy
Ashley: Frogs (1966)
Behrman: Runthrough (1967)
Lucier: Music for Solo Performer (1965)
Mumma: Mesa (1966)
13 April 1967
Musiques Nouvelles
Société Philharmonique de Bruxelles
Salle de la Rotonde du
Palais des Beaux Arts
Bruxelles, Belgium
Ashley: Frogs (1966)
Behrman: Runthrough (1967)
Lucier: Music for Solo Performer (1965)
Mumma: Mesa (1966)
29 April 1967
Richmond Professional Insitute (Virginia Commonwealth University)
Spring Arts Festival.
Richmond, VA
Ashley: Frogs (1966)
Behrman: Runthrough (1967)
Lucier: Music for Solo Performer (1965)
Mumma: Mesa: Five Source Duo
19 May 1967
Antioch College
Yellow Springs, OH
Ashley: Frogs (1966)
4 December 1967
First Festival of Live Electronic Music
Mills College
Oakland, CA
Ashley: Frogs (1966)
Mumma: Mesa (1966)
Behrman: Players with Circuits (1966)
Lucier: Whistlers (1966)
5 December 1967
First Festival of Live Electronic Music
Davis, CA
Behrman: Runthrough
Ichyanagi, Toshi: Activities
Gnazzo, Tony:
Budd, Harold:
Austin, Larry:
5 December 1967
Pomona College
Los Angeles, CA
Ashley:
Mumma:
6 December 1967
First Festival of Live Electronic Music
Davis, CA
Ashley: Frogs (1966)
Behrman: Wave Train (1966)
Mumma: 3rd Horn
Lunetta, Stanley:
10 February 1968
Once Festival
Michigan Union Ballroom
Ann Arbor, MI
Ashley: Frogs ?
Behrman: Wave Train ?
Lucier: Vespers ?
Mumma: Hornpipe ?
22 February 1968
State University of New York at Buffalo
Baird Hall
Buffalo, NY
Ashley: Frogs ?
Behrman: Wave Train ?
Lucier: Vespers ?
Mumma: Hornpipe ?
Feldman, Morton: Two Pianos (1957)
6 June 1968
Produced by Ben Patterson Ltd.
Steinway Hall
New York, NY
Ashley: Wolfman (1964)
Behrman: Runthrough (1966), Runthrough (version II)
Lucier: Vespers (1968), Chambers (1968)
Mumma: Home (1968), Home (version II) with Barbara Lloyd
Cacioppo, George: K (1968)
Oliveros, Pauline: Valentine for SAG (1968)
7 June 1968
Produced by Ben Patterson Ltd.
Steinway Hall
New York, NY
Ashley: Wolfman (1964)
Behrman: Runthrough (1966), Runthrough (version II)
Lucier: Vespers (1968), Chambers (1968)
Mumma: Home (1968), Home (version II) with Barbara Lloyd
Cacioppo, George: K (1968)
Oliveros, Pauline: Valentine for SAG (1968)
16 October 1968
Brandeis University
Rose Art Museum
Waltham, MA
Ashley: A Cool,Well Lighted Room (aka Purposeful Lady Slow Afternoon)
Behrman: Questions from the Floor
Lucier: Shelter 9999
Mumma: Home (1968) with Barbara Lloyd
20 March 1969
“New Images in Sound Series”
Hunter College, Playhouse
New York, NY
Ashley: Purposeful Lady Slow Afternoon (1968)
Mumma/Behrman: Runway (1969?)
Lucier: Music for Solo Performer (1965)
22 March 1969
Upsala College
East Orange, NJ
Ashley: Purposeful Lady Slow Afternoon
Mary Ashley: Soft Centers
Behrman: Runthrough (1967)
Lucier: Chambers
Mumma: Home (1968) with Barbara Lloyd
14 April 1969
Fylkingen
Moderna Museet
Stockholm, Sweden
Ashley: The Wolfman Motorcity Review
Mary Ashley: Soft Centers
Behrman: Runthrough (1967)
Behrman: Questions from the Floor
Lucier: Vespers
Lucier: Chambers
Mumma: Home (1968) with Barbara Lloyd
15 April 1969
Fylkingen
Moderna Museet
Stockholm, Sweden
Ashley: The Wolfman Motorcity Review
Mary Ashley: Soft Centers
Behrman: Runthrough
Behrman: Questions from the Floor
Lucier: Vespers
Lucier: Chambers
Mumma: Home (1968) with Barbara Lloyd
16 April 1969
Gamla Studenthusets Festsa
Vanhan Utioppitastalon Juhlasali: Yleisradio
Helsinki, Finland
Ashley: Purposeful Lady Slow Afternoon
Behrman: Runthrough (1967)
Lucier: Vespers
Mumma: Home (1968) with Barbara Lloyd
21 April 1969
Henie-Onstad Kunstsenter.
Oslo, Norway
Ashley: The Wolfman Motorcity Review
Behrman: Runthrough (1967)
Mumma: Home (1968) with Barbara Lloyd
22 April 1969
Henie-Onstad Kunstsenter.
Oslo, Norway
Mary Ashley: Soft Centers
Behrman: Questions from the Floor
Lucier: Chambers
23 April 1969
Henie-Onstad Kunstsenter.
Oslo, Norway
Ashley: She Was A Visitor
Lucier: Vespers
25 April 1969
Studio de Musique Contemporain: Cité Universite
Geneva, Switzerland
Ashley: Purposeful Lady Slow Afternoon (1968)
29 April 1969
Accademia Filharmonica
Sala Casella
Rome, Italy
1 May 1969
Societa' Aquilana Dei Concerti
B. Baratteli
L’Aquila, Italy
Ashley: The Wolfman (1964)
Behrman: Questions from the floor (1968)
Lucier: Vespers (1968)
Mumma: Home (1968) with Barbara Lloyd
3 May 1969
“Music Now”
The Round House
London, England
Mary Ashley: Soft Centers
Behrman: Questions from the Floor
Lucier: Vespers
Mumma: Home (1968) with Barbara Lloyd
4 May 1969
Dartington College
Dartington, England
6 May 1969
York University, Music Department
York, England
Ashley: The Wolfman
Behrman: Runthrough (1967)
Lucier: Chambers
Mumma: Home with Barbara Lloyd
8 May 1969
“Music Now”: The Round House
London, England
Ashley: The Wolfman Motor City Review
Lucier: Chambers
10 May 1969
Muzicki Biennale
Zagreb, Yugoslavia
14 May 1969
Musiques Nouvelles - Société Philharmonique de Bruxelles
Theatre National
Bruxelles, Belgium
Ashley: The Wolfman (1964)
Behrman: Questions from the Floor (1969)
Lucier: Chambers (1968)
Mumma: Home (1968) with Barbara Lloyd
Bekaert, Jacques: Pop Corner (?)
11 November 1969
Cornell University
Ithaca, NY
12 November 1969
State University of New York at Albany
Electronic Music Studio
Performing Arts Center Main Theater
Albany, NY
Ashley: Orange Dessert
Behrman: Runthrough (1967)
Lucier: The Only Talking Machine of It’s Kind
Mumma: Home (1968) with Barbara Lloyd
10 February 1970
Fresno State College: Student Union
College Union Lounge
Fresno, CA
Ashley: Orange Dessert (1965)
Behrman: Sinescreen (1969)
Lucier: Vespers (1967)
Mumma: Hornpipe (1967)
11 February 1970
Mills College Center for Contemporary Music
Concert Hall
Oakland, CA
Behrman: Sinescreen (1969)
Lucier, Alvin & Lucier, Mary: Hymn (1970)
Lucier: The Only Talking Machine of It’s Kind (1969)
Mumma: Hornpipe (1967)
12 February 1970
University of California, San Diego
Department of Music
La Jolla, CA
Ashley: Orange Dessert (1969)
Behrman: Sinescreen (1969)
Lucier: The Only Talking Machine of It’s Kind in the World (1969)
Mumma: Hornpipe (1967)
24 March 1970
The Guggenheim Museum
Museum Auditorium
New York, NY
Ashley: The Bottleman (1960)
Ashley: The Wolfman Moter City Revue (1968)
Behrman/Mumma: Bahia Honda (1970)
Lucier, Alvin & Lucier, Mary: Hymn (1970)
25 March 1970
The Guggenheim Museum
Museum Auditorium
New York, NY
Behrman: Sinescreen
Lucier:I am sitting in a room (1970), Image by Mary Lucier
Mumma: Conspiracy 8 (with David Behrman and Steve Smoliar from MIT)
29 April 1970
Trinity College
Goodwin Theatre
Hartford, CT
Behrman: A New Team Takes Over
Lucier: I am sitting in a room (1970), Image by Mary Lucier
Lucier: Vespers
Mumma: I Saw Her Dance (1970)
1 May 1970
The Walker Art Center
Minneapolis, MN
2 May 1970
The Walker Art Center
Minneapolis, MN
Behrman: A New Team Takes Over
Lucier Alvin & Lucier,Mary: Hymn
Lucier: Vespers
Mumma: I Saw Her Dance
Mumma: Hornpipe
3 May 1970
The Walker Art Center
Minneapolis, MN
Ashley: The Entrance
Ashley: Purposeful Lady Slow Afternoon
Behrman: Sinescreen
Lucier: I am sitting in a room
10 November 1970
Kirkland Art Center
Clinton High School Gym
Clinton, NY
Ashley: The Entrance
Ashley: Morton Feldman Says
Behrman: Amplifier
Behrman: Island in the River of Experience
Behrman: Wavetrain
Lucier: Biography
Lucier: Vespers
Mumma: Hornpipe
Mumma: Schoolwork
19 March 1971
Oberlin College
Finney Chapel
Oberlin, OH
Ashley: Illusion Model 2 (1971) & Fancy Free (1970)
Behrman: Islands in the River of Experiences
Lucier: I am sitting in a room
Mumma: Hornpipe
20 March 1971
University of Michigan, Contemporary Directions Series
Rackham Auditorium
Ann Arbor, MI
Ashley: Fancy Free
27 April 1971
Norddeutsche Rundfunk, Studio F
Bremen, Germany
29 April 1971
United States Embassy
London, England.
29 April 1971
British Broadcasting Corporation
London, England
30 April 1971
University of Newcastle
Newcastle-on-Tyne, England
3 May 1971
Södra Theater
Stockholm, Sweden
4 May 1971
Sveriges Radio, Studio 2
Stockholm, Sweden
5 May 1971
Södra Theater.
Stockholm, Sweden
10 May 1971
Theatre 140
Schaerbeek, Belgium
Ashley: It’s There (Illusion Model IV)
Behrman: Counterirritant
Lucier: I am sitting in a room
Mumma: Schoolwork
19 February 1972
Metropolitan Museum of Art
Grace Rainey Rogers Auditorium
New York, NY
Ashley: String Quartet Describing the Imaginary Motions of Large Real Bodies
Behrman/Morton: Sine Rise (1972)
David Behrman with Katharine Morton
Lucier: The Duke of York (1971)
Mumma: Hornpipe (1967)
15 April 1972
WBAI "Free Music Store"
New York, NY
3 May 1972
Helen Newman Hall
Ithaca, NY
6 May 1972
Pro Musica Nova
Radio Bremen
Bremen, Germany
Ashley: In Sara, Mencken, Christ And Beethoven There Were Men and Women
Behrman/Morton: Pools Of Phase Locked Loops
Lucier: The Bird Of Bremen Flies Through The Houses
Mumma: Ambivex (1972)
9 May 1972
Societe Philharmonique
Brussels, Belgium
25 May 1972
Merce Cunningham Studio
New York, NY
26 May 1972
Merce Cunningham Studio
New York, NY
27 May 1972
Merce Cunningham Studio
New York, NY
28 May 1972
Merce Cunningham Studio
New York, NY
17 June 1972
Merce Cunningham Studio
New York, NY
Ashley: Orange Dessert (1964)
Performed by Julan Chu, Jumay Chu & Gordon Mumma
Ashley: Quartet Describing the Imaginary Motions of Large Real Bodies (1972)
Performed by Robert Ashley
Behrman: Pools of Phase-Locked Loops (1972) David Behrman and Katharine Morton
Lucier: The Duke of York (1971)
Alvin Lucier, voice, Mary Lucier & Stuart Marshall, synthesizers (ARP 2600 synthesizers courtesy ARP Instruments, Newton, Mass)
Lucier: The Queen of the South (1972)
David Behrman, Alvin Lucier, Stuart Marshall & Gordon Mumma, electronic instruments
Mumma: Ambivex (1972)
Gordon Mumma, cybersonic trumbet
Mumma: Combine: Mographs (1962-1964); The Dresden Interleaf 13 February 1945 (1965); Quelle Heure N'Est Il Pas (1971)
Jean Chu and Julan Chu, pianists; Gordon Mumma, magnetic tape and film
18 June 1972
Merce Cunningham Studio
New York, NY
Ashley: Orange Dessert (1964)
Performed by Julan Chu, Jumay Chu & Gordon Mumma
Ashley: Quartet Describing the Imaginary Motions of Large Real Bodies (1972)
Performed by Robert Ashley
Behrman: Pools of Phase-Locked Loops (1972) David Behrman and Katharine Morton
Lucier: The Duke of York (1971)
Alvin Lucier, voice, Mary Lucier & Stuart Marshall, synthesizers (ARP 2600 synthesizers courtesy ARP Instruments, Newton, Mass)
Lucier: The Queen of the South (1972)
David Behrman, Alvin Lucier, Stuart Marshall & Gordon Mumma, electronic instruments
Mumma: Ambivex (1972)
Gordon Mumma, cybersonic trumbet
Mumma: Combine: Mographs (1962-1964); The Dresden Interleaf 13 February 1945 (1965); Quelle Heure N'Est Il Pas (1971)
Jean Chu and Julan Chu, pianists; Gordon Mumma, magnetic tape and film
18 August 1972
ICES Festival
London, England
22 August 1972
Fringe Theater
Edinburgh, Scotland
13 February 1973
Smith College Department of Music
Sage Hall
Northampton, MA
Mumma: Lecture, "Electronic Technology and the Contemporary and Performance Arts."
14 February 1973
Smith College Department of Music
Sage Hall
Northampton, MA
Ashley: In Sara, Mencken, Christ, and Beethoven There Were Men And Women (excerpt)
Robert Ashley, David Behrman, Alvin Lucier and Gordon Mumma, performers
Behrman: Homemade Synthesizer Music with Sliding Pitches (1972) David Behrman and Katharine Morton, performers
Lucier: Who is John Cage? (1972)
Nam June Paik, videotape, Russell Connor, interviewer, Martin Barman, cameraman, Alvin Lucier, synthesizer and speech
Mumma: Ambivex (1972)
17 February 1973
State University of New York at Albany
Performing Arts Center
Laboratory Theater
Albany, NY
Ashley: In Sara, Mencken, Christ and Beethoven There Were Men and Women
Behrman: Homemade Synthesizer Music with Sliding Pitches (1972)
Lucier: Who Is John Cage? (1972)
Mumma: Ambivex (1972)
21 February 1973
Brown University Music Department
Sayles Hall
Providence, RI
Ashley: In Sara, Mencken, Christ and Beethoven There Were Men and Women (excerpt)
Robert Ashley, performer
Behrman: Home-Made Synthesizer Music with Sliding Pitches
David Behrman and Katharine Morton, performers
Lucier: Who Is John Cage? (1972)
Nam June Paik, videotape; Russell Connor, interviewer; Martan Barman, cameraman; Bob White, technical consultant; Alvin Lucier, speech and synthesizer
Mumma: Ambivex (1972)
Gordon Mumma, trumpet with surrogate myoelectrical telemeteriing system
19 May 1973
Everson Museum of Art
Syracuse, NY
Program
1:30 p.m.: Portraits, Self Portraits and Still Lives (film by George Manupelli, 1968, b/w, 60 minutes)
3:30 p.m.: Shoot the Whale (film by Phil Makanna, 1972, color, 90 minutes)
Mumma: Cybersonic Cantilevers (1973) installation-museum gallery---------
Ashley: Quartet
Behrman: Homemade Synthesizer Music with Sliding Pitches (1972)
Lucier: Bird of Bremen
20 May 1973
Everson Museum of Art
Syracuse, NY
Program
1:30 p.m.: Battery Davis (film by Phil Makanna, 1971, color, 60 minutes)
3:30 p.m.: Dr. Chicago (film by George Manupelli, 1967, b/w, 90 minutes, with Alvin Lucier, Mary Ashley and Steven Paxton)
Mumma: Cybersonic Cantilevers (1973) installation-museum gallery-----------
Ashley: String Quartet Describing the Motion of Large Real Bodies and In Sara, Mencken, Christ and Beethoven There Were Men and Woman
Behrman: Homemade Synthesizer Music with Sliding Pitches (1972)
25 May 1973
WBAI Radio (live): Studio C. New York, NY
Ashley: Revised, Finally, for Gordon Mumma
Ashley: In Sara, Mencken, Christ and Beethoven There Were Men and WomenBehrman:
Lucier:
Mumma:
26 May 1973
WBAI Radio (live): Studio C. New York, NY
Ashley: Revised, Finally, for Gordon Mumma
Ashley: In Sara, Mencken, Christ and Beethoven There Were Men and WomenBehrman:
Lucier:
Mumma:
27 May 1973
WBAI Radio (live): Studio C. New York, NY
Ashley: Revised, Finally, for Gordon Mumma
Ashley: In Sara, Mencken, Christ and Beethoven There Were Men and WomenBehrman:
Lucier:
Mumma:
18 October 1973
Arnolfini Gallery
Bristol, England
Ashley: How Can I Tell The Difference? (1973) for viola, synthesizer and tape
Behrman: Homemade Synthesizer Music
Lucier: Still and Moving Lines of Silence in Families of Hyperbolas
19 October 1973
Oxford, England
20 October 1973
Birmingham Arts Laboratory
Birmingham, England
Ashley: How Can I Tell The Difference? (1973) for viola, synthesizer and tape
Behrman: Home Made Synthesizer Music with Sliding Pitches (1973)
David Behrman, Katharine Morton, synthesizer
Lucier: Still and Moving Lines of Silence in Families of Hyperbolas
(1972-73)
24 October 1974
Cultureel Centrum 't Hoogt
Utrecht, The Netherlands
Ashley: How Can I Tell The Difference? (1973) for viola, synthesizer and tape
Behrman: Home Made Synthesizer Music with Sliding Pitches (1973)
David Behrman, Katharine Morton, synthesizer
Lucier: Still and Moving Lines of Silence in Families of Hyperbolas (1972-73)
25 October 1973
Noordhollands Kunstcentrum
Bergen (N.H.), The Netherlands
Ashley: How Can I Tell The Difference? (1973) for viola, synthesizer and tape
Behrman: Home Made Synthesizer Music with Sliding Pitches (1973)
David Behrman, Katharine Morton, synthesizer
Lucier: Still and Moving Lines of Silence in Families of Hyperbolas (1972-73)
26 October 1973
De Lantaren
Rotterdam, The Netherlands
Ashley: How Can I Tell The Difference? (1973) for viola, synthesizer and tape
Behrman: Homemade Synthesizer Music with Sliding Pitches (1972)
Lucier: Still and Moving Lines of Silence in Families of Hyperbolas (1972-73)
28 October 1973
Stedelijk Museum
Amsterdam, The Netherlands
Ashley: How Can I Tell The Difference? (1973) for viola, synthesizer and tape
Behrman: Homemade Synthesizer Music with Sliding Pitches (1972)
Lucier: Still and Moving Lines of Silence in Families of Hyperbolas (1972-73)
31 October 1973
Stuttgart, Germany
Ashley: How Can I Tell The Difference? (1973) for viola, synthesizer and tape
Robert Ashley, Electronics
Kathryn Morton, Viola
Lucier:Vifarb/Hyperb
Alvin Lucier, Electronics
Robert Ashley, Voice
3 November 1973
Serpentine Gallery
London, England
4 November 1974
Serpentine Gallery
London, England
7 November 1973
Glasgow, Scotland
9 October 1974
Festival d’Automne à Paris: Musée Galliera
Group Concert
Paris, France
Ashley: How Can I Tell The Difference? (1973) for viola, synthesizer and tape
(with Joan La Barbara, viola)
Behrman: Voice with Trumpet and Melody-Driven Electronics
(with Joan La Barbara, voice and Gordon Mumma, trumpet)
Lucier: I am sitting in a room
(image by Mary Lucier)
Mumma: Hornpipe
10 October 1974
Festival d’Automne à Paris: Musée Galliera
Behrman
Paris, France
Behrman: Homemade Synthesizer Music with Sliding Pitches (1972) David Behrman
11 October 1974
Festival d’Automne à Paris: Musée Galliera
Ashley
Paris, France
Ashley: Exposure in Little Light
Robert Ashley, with Mimi Johnson
12 October 1974
Festival d’Automne à Paris: Musée Galliera
Lucier
Paris, France
Lucier: Still and Moving Lines of Silence in Families of Hyperbolas Alvin Lucer with Joan La Barbara, voice, Narrye Caldwell, dancer, Gordon Mumma, horn
13 October 1974
Festival d’Automne à Paris: Musée Galliera
Mumma
Paris, France
Mumma: Some Voltage Drop
14 October 1974
Festival d’Automne à Paris: Musée Galliera
Group Concert
Paris, France
Ashley: How Can I Tell The Difference? (1973) for viola, synthesizer and tape
(with Joan La Barbara, viola)
Behrman: Voice with Trumpet and Melody-Driven Electronics
(with Joan La Barbara, voice and Gordon Mumma, trumpet)
Lucier: I am sitting in a room
(image by Mary Lucier)
Mumma: Hornpipe
9 January 1976
Galleria Salvatoe Ala
Milan, Italy
Ashley: Night Sport / Fathers and Sons / Exposed / In Little Light
Behrman: Homemade Synthesizer Music with Sliding Pitches (1972)
Lucier: Bird and Person Dyning (1975)
Mumma: Wooden Pyjamas (on tape, introduced by one of the 3 other SAU members
11 January 1976
Societa’ Aquilana Dei Concerti
B. Baratteli
L'Aquila, Italy
Ashley: Night Sport / Fathers and Sons / Exposed / In Little Light
Behrman: Homemade Synthesizer Music with Sliding Pitches (1972)
Lucier: Bird and Person Dyning (1975)
Mumma: Wooden Pyjamas (1974)
(on tape, introduced by one of the 3 other SAU members)
13 January 1976
Centre de Recherches Musicale de Wallonie
Liege, Belgium
Ashley: Night Sport / Fathers and Sons / Exposed / In Little Light
Behrman: Homemade Synthesizer Music with Sliding Pitches (1972)
Lucier: Bird and Person Dyning (1975)
Mumma: Wooden Pyjamas (1974)
(on tape, introduced by one of the 3 other SAU members)
16 January 1976
Kultur Forum Bonn Center
Bonn, Germany
Ashley: Night Sport / Fathers and Sons / Exposed / In Little Light
Behrman: Homemade Synthesizer Music with Sliding Pitches (1972)
Lucier: Bird and Person Dyning (1975)
Mumma: Wooden Pyjamas (1974)
(on tape, introduced by one of the 3 other SAU members)
23 September 1976
Northern Illinois University Artist Series
Music Building Concert Hall
DeKalb, IL
Behrman: Cornet with Pitch-Driving Electronics (Summer Tuning 1976)
Gordon Mumma, cornet; David Behrmanb Homemade Synthesizer
Lucier: Bird and Person Dyning (1975)
for performer with microphones, amplifiers, loudspeakers and sound- producing object
Mumma: Hornpipe (1967)
for French Horn, Waldhorn and cybersonic console
2 February 1977
State University of New York at Cobleskill
Cobleskill, NY
Ashley: The Great Northern Automobile Presence
Behrman: Music for Cornet, Micro-Computer and Homemade Electronics
Lucier: Bird and Person Dyning (1975)
Gordon Mumma: Passenger Pidgeon (1676-1976)
3 February 1977
State University of New York at Albany
Free Music Store
Albany, NY
4 February 1977
State University of New York at Plattsburgh
Plattsburg, NY
Ashley: The Great Northern Automobile Presence
Behrman: Music for Cornet, Microcomputer and Homemade Electronics
Gordon Mumma, cornet; David Behrman, electronics; Kim One, harmonic changes; Jim Horton, computer program
Lucier: Bird and Person Dyning (1975)
for performer with microphones, amplifiers, loudspeakers and sound- producing object
Mumma: Passenger Pidgeon (1676-1976)
13 March 1977
State University of New York at Buffalo
Center for Media Study
Ellicott Square Building, Grand Court Lobby
Buffalo, NY
Ashley: The Great Northern Automobile Presence
Behrman: Music for Cornet, Micro-Computer and Homemade Electronics
Lucier: Bird and Person Dyning (1975)
Mumma: Passenger Pidgeon (1676-1976)
5 April 1977
Alfred University, Alfred Campus
Alfred, NY
Ashley: In Sara, Mencken, Christ and Beethoven There Were Men and Women
Behrman: Music for Viola, Microcomputer and Homemade Electronics
Lucier: Music on a Long Thin Wire
6 April 1977
Alfred University, Wellsville Campus
Wellsville, NY
Ashley: In Sara, Mencken, Christ and Beethoven There Were Men and Women
Behrman: Music for Viola, Microcomputer and Homemade Electronics
Lucier: Music on a Long Thin Wire
-----------------------------------------------
18 March 2004
Interpretations
New York, NY
Ashley: Trio III: Yes, but would you want your sister to play one?
Behrman: Protests (1917-2004)
Lucier: Tapper
Mumma: YAWAWOTConrad Harris, violin
23 March 2012
Berliner Festspiele, Maerz Musik
Berlin, Germany
Ashley: Answers and Other Songs (Love Is A Good Example)
Robert Ashley
Behrman: Wave Train (1959-1968) for Keyboard and Feedback
David Behrman, Gordon Mumma/Jens Brand/Volker Straebel - Keyboard
Behrman: Long Throw (2007)
Christian Wolff, Piano; Okkyung Lee, Violincello; William Forman, Trumpet; David Behrman, Electronics
Lucier: Slices
for cello and pre-recorded orcheatra (2007/2012) Charles Curtis, Violincello
Mumma: Piano Event (1958-2012), for friends from the Cage/Cunningham milieu
Gordon Mumma / Dean Vandewalle, piano
20 July 2018
Sonic Arts Union Celebration
Issue Project Room
Brooklyn, NY
Ashley: Love Is A Good Example (1993), arr. Gelsey Bell Performed by Gelsey Bell, Dave Ruder, Aliza Simons
Behrman: Long Throw (2007/2018)
Performed by Behrman, John King, Joseph Kubera, Cleek Schrey
Lucier: Tilted Arc (2018) Trevor Saint
Mumma: from the Rendition Series (2006) Joseph Kubera and Gordon Mumma
21 July 2018
Sonic Arts Union Celebration
Issue Project Room
Brooklyn, NY
Ashley: In Memoriam: Esteban Gomez (1963)
Oren Ambarchi, Stephen O'Malley, Bernhardt Rietbrock, Jan Thoben
Behrman: Runthrough (1967-68) David Behrman, crys cole, Cleek Schrey
Lucier: Chambers 1968)
Ron Kuivila, John Pemberton, Doug Simon, John Fulleman and guests
Lucier: Vespers (1969)
Oren Ambarchi, Stephen O'Malley, Bernhard Rietbrock, Jan Thoben
Mumma: Large Size Mograph (1962) Joseph Kubera